I was afraid that this movie would be crushed by the weight of the marketing effort from Warner Brothers and the resultant raised expectations. I mean 3 trailers and 9 TV spots which contained approximately 15 minutes of the film, plus the Gillette, Twizzler and Mr Clean commercials, and OKAY I get it Warner Brothers! You want us to see your movie!!
Fortunately, it doesn’t disappoint. The marriage between David Goyer’s character driven storytelling and Zach Snyder’s signature visual style works perfectly, as I hoped it would. I thought Snyder in particular out did himself with rich visuals that carried through the muted tones and darker colour palette of the film. Goyer’s story can almost be described as ‘Superman Begins’ as it uses the same approach and story structure as Batman Begins, but ultimately finds its own voice and tone which prevents it from feeling too much like the first Nolan Batman film. As a result, a lot of time is spent exploring the journey of Clark/Kal-el with the supporting characters present only to inform the audience of the protagonist, which also means they are not fully developed and therefore come across as one dimensional. This is not meant as criticism, and I’m not surprised that other reviewers found character development to be lacking because of this. The story is not designed to have rich supporting characters, it’s about Clark’s character, his journey and growth, and that’s it. The exception to this is Lois Lane who is present enough in the film to give us a good feel for the character, which is a true reflection of the comic book, and I’m really looking forward to her being developed even further in future installments.
The acting itself is solid which is what you would expect from a cast of this caliber, yet no one performance outshines the other and there was never a moment for me where I thought the actor cast for a particular role was the wrong choice. Henry Cavill, in particular, IS Superman. This film, however, is not perfect. There are a few head-scratching and perhaps WTF moments, BUT the good parts in the movie far, far outweigh the bad, so I’m willing to turn a blind eye to these bad moments and embrace this film in aggregate as a brilliant, outstanding effort. My nipples stiffen just thinking about it.
All that being said, if you are of the opinion that the Christopher Reeve films, and Bryan Singer’s love letter to Donner, is the true version of Superman, then you’ll likely have a hard time embracing this version. Also, if you are one of those who habitually “multi-task” and split your attention between a psychoactive mobile device and what’s happening on the big screen (and unfortunately there were many of you in the theatre last night), I’m afraid you aren’t going to enjoy it very much either. This film has just enough story that if you miss a bit while held hostage to your devices’ virtual delights, you’ll become lost and all that will remain are the film’s action sequences. But, maybe that’s all you want.
10 out of 10